
ntrepreneurs from the Italian North-East are always gossiped. They are, in fact, something of an oddity in this country, where production is rooted in a maze of small, anarchical talents, rather than in organic structure. The few times they are talked about, it is with words such as ‘reserved’, ‘introverted’, and so on. And yet, as always, in the midst of these unfavourable descriptions, we can find characters who don’t fit the bill, don’t match the cliché. Doriano Mattellone is one of these. He is well educated, he writes better than a journalist, and he is constantly back-packing around the world in search of green and pleasant lands. He photographs nature, loves rivers (he lives beside one), and studies wood, the latter being his job. His work was more about fate than about making money: his family had always worked with wood, so the path he took seemed to be already mapped out for him. Then, for the next 30 years, Doriano has been bending, twisting and studying wood; testing material, quality and varieties. He suddenly discovers how to give wood something that it was missing, how to improve it and correct Mother Nature’s mistakes. 


